Anthropometry of the Void explores the relationship between the human figure and the structures that surround it. Elliptical roofs, stadium seating, concrete cantilevers and curved colonnades establish spaces of immense scale in which the human presence becomes almost incidental.

The figures appear small, turned away or partially concealed. Rather than functioning as individual portraits, they become points of reference through which architecture is measured and perceived.

Built through subtraction and geometric composition, the series reduces each scene to essential elements: a line, a curve, an opening, an expanse of empty space. Monochrome removes incidental detail, allowing light, mass and scale to define the image.

Architecture is no longer simply a backdrop. It becomes an active presence that frames, constrains or nearly dissolves the figure within it. What remains is a quiet tension between the human measure and the void surrounding it.